How is the photography printing on newpaper is possible in the WW2 era?

How is the photography printing on newpaper is possible in the WW2 era?

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How is the photography printing on newpaper is possible in the WW2 era?

For example, how is the photo on the newpaper at the below link is possible especially on HD quality?

Printing of images in newspapers use halftones to create the various shades of grey in the photos. The resolution of halftones is given in lines per inch (LPI). For standard newsprint, which is rather porous, the maximum LPI is 85 -- any higher than that, the dots bleed and run together.

This photograph linked to was published in Current Events, the "national school newspaper". It is possible that this paper used higher quality paper than newsprint. This would allow a much higher LPI, thus providing for higher-quality images. LIFE Magazine, a photojournalism magazine of that era, used 150 LPI. A very high quality magazine, like National Geographic, uses 300 LPI (essentially, a "retina" display on paper).

I remember reading something like this called "My Weekly Reader" while in grade school in the early 1950's. I don't think it was printed on newsprint, as the pages were more like regular typing paper (but not glossy magazine paper) as I recall.

Apart from the half-tone process, the other component was the process that allowed the photographer to scan their photo on location, and then send it back to the home office by way of telegraph or telephone.

The first of these technologies was the Telediagraph that demanded special telegraph connections. By WWII, the process was refined enough to use ordinary telephone connections, even over intercontinental lines, and inexpensive enough where even remote branch offices of major news services and large daily papers had one on-site. Some offices had equipment could scan and send photos by short-wave radio.

4.2 History of Newspapers

Over the course of its long and complex history, the newspaper has undergone many transformations. Examining newspapers’ historical roots can help shed some light on how and why the newspaper has evolved into the multifaceted medium that it is today. Scholars commonly credit the ancient Romans with publishing the first newspaper, Acta Diurna, or daily doings, in 59 BCE. Although no copies of this paper have survived, it is widely believed to have published chronicles of events, assemblies, births, deaths, and daily gossip.

In 1566, another ancestor of the modern newspaper appeared in Venice, Italy. These avisi, or gazettes, were handwritten and focused on politics and military conflicts. However, the absence of printing-press technology greatly limited the circulation for both the Acta Diurna and the Venetian papers.

The First Photographers

On a summer day in 1827, French scientist Joseph Nicephore Niepce developed the first photographic image with a camera obscura. Niepce placed an engraving onto a metal plate coated in bitumen and then exposed it to light. The shadowy areas of the engraving blocked light, but the whiter areas permitted light to react with the chemicals on the plate.

When Niepce placed the metal plate in a solvent, gradually an image appeared. These heliographs, or sun prints as they were sometimes called, are considered the first photographic images. However, Niepce's process required eight hours of light exposure to create an image that would soon fade away. The ability to "fix" an image, or make it permanent, came along later.

Fellow Frenchman Louis Daguerre was also experimenting with ways to capture an image, but it would take him another dozen years before he was able to reduce exposure time to less than 30 minutes and keep the image from disappearing afterward. Historians cite this innovation as the first practical process of photography. In 1829, he formed a partnership with Niepce to improve the process Niepce had developed. In 1839, following several years of experimentation and Niepce's death, Daguerre developed a more convenient and effective method of photography and named it after himself.

Daguerre's daguerreotype process started by fixing the images onto a sheet of silver-plated copper. He then polished the silver and coated it in iodine, creating a surface that was sensitive to light. Then he put the plate in a camera and exposed it for a few minutes. After the image was painted by light, Daguerre bathed the plate in a solution of silver chloride. This process created a lasting image that would not change if exposed to light.

In 1839, Daguerre and Niepce's son sold the rights for the daguerreotype to the French government and published a booklet describing the process. The daguerreotype gained popularity quickly in Europe and the U.S. By 1850, there were over 70 daguerreotype studios in New York City alone.

Newspapers in Nazi Germany

Newspapers were greatly used by the Nazi Party to spread the party line. Newspapers were commonly purchased in an era that pre-dated television and along with the cinema and radio was the primary mode of spreading information – information that the Nazi Party wanted to control. Hitler came to power on January 30 th 1933 and almost immediately set out plans that would give the Nazis total power over all newspapers. Once Chancellor, Hitler was in a position to implement from a propaganda viewpoint what he had written about in ‘Mein Kampf’:

“The receptivity of the great masses is very limited, their intelligence is small, but their power of forgetting is enormous. In consequence of these facts, all effective propaganda must be limited to a very few points and must harp on these slogans until the last member of the public understands what you want him to understand by your slogan.”

Control of newspapers was put into the hands of Joseph Goebbels, the head of the Ministry of Popular Enlightenment and Propaganda. Goebbels set up a department within the ministry that dealt solely with newspapers. The newspapers had to spread the same message as everything else – Gleischaltung – the coordination of the whole of Nazi German society so that it acted and thought the same. Therefore people could only read the news as it was presented to them by the government.

On October 4 th 1933 the Reich Press Law stated that all journalism had to be “racially clean”. Any Jewish and liberal editors and journalists were sacked and all remaining editors had to take a Nazi citizenship test and prove that they were not married to a Jew. Any Jew who owned a newspaper was pressurised into selling out. If any Jewish owner refused to do this, the government banned the production of his newspaper for a few days that could then become weeks and months. By using this tactic, the Nazis hoped to bankrupt Jewish newspaper owners. This is what happened to the Jewish owned publishing house Ullstein. It was taken to the brink of bankruptcy and sold out to Eher Verlag, the Nazi publishing house based in Munich. One of the newspapers acquired by Eher Verlag was ‘Vossische Zeitung’, a celebrated liberal newspaper founded in 1703. To prove to the world that the Nazi government was reasonable, Goebbels allowed the highly respected ‘Frankfurter Zeitung’ a degree of independence from central interference on the understanding that it got rid of its Jewish owners.

Nazi newspapers predictably did well after January 1933. The official newspaper of the Third Reich was the ‘Vőlkischer Beobachter’, which was edited by Alfred Rosenberg who was considered to be the Nazi Party’s primary intellectual. Joseph Goebbels had his own newspaper, ‘Der Angriff’. The ‘Vőlkischer Beobachter’ was printed in Munich and appeared in the morning while ‘Der Angriff’ was printed in Berlin and appeared in the afternoon. In this way, the Nazis covered the whole of Germany. Both newspapers fawningly supported Hitler and National Socialism and pushed Nazi ideas. To ensure that all major newspapers were in Nazi hands, Goebbels gave the old Berlin newspaper, ‘Boersen Zeitung’ (Stock Exchange Journal) to Walter Funk, Hitler’s economic and financial advisor.

‘Vőlkischer Beobachter’ translated as ‘Racial Observer’. It was the main Nazi daily newspaper and it was used to peddle whatever Goebbels wanted. It was anti-Semite, anti-Communist, anti-liberal and completely fawning towards Hitler. During World War Two, the German public only read about the ‘good news’ as nothing bad was allowed to be reported.

‘Der Angriff’ translated as ‘The Assault’ and it was a newspaper founded by Goebbels in 1927 and became effectively his property. Its subtitle was ‘For the Oppressed against the Oppressors’. The right hand column of the front page was reserved for the personal comments of Goebbels that were signed off ‘Dr G’. There were many libel actions against ‘Der Angriff’ but none were successful. It never had the circulation of ‘Vőlkischer Beobachter’ and became simply a tool to voice the opinions of Goebbels.

Some individual Nazis were allowed to produce their own newspapers as the party hierarchy had no doubts that they would not peddle the party line. Probably the most infamous was ‘Der Stűrmer’ by the anti-Semite Julius Streicher who claimed that ‘Der Stűrmer’ was Hitler’s favourite read. However, Goebbels viewed the newspaper as little more than a ‘daily rag’ and believed that it was more likely to harm the regime than present it in its best light such was the paucity of its contents that occasionally bordered on the pornographic. However, it is said that Hitler read each issue from cover to cover and any protests that Goebbels might have made would have fallen on deaf ears. Towards the end of World War Two, Goebbels had the opportunity to ban ‘Der Stűrmer’ using the lack of paper as a reason.

At its peak, Goebbels supervised more than 3,600 newspapers and hundreds of magazines. He met the editors of the Berlin newspapers each morning and told them what could be printed and what could not. He kept in similar contact with editors based elsewhere in Germany using telegrams. It is almost certain that every editor knew what was in store if he broke away from the instructions set by Goebbels. All editors were expected to fully praise Hitler and senior Nazi officials. In 1937, Goebbels appointed Hans Fritzsche as his link with Germany’s newspaper editors.

However, it does appear that the German public became tired of the lack of choice when it came to newspapers and the constant hammering home of National Socialist ideals. The annual sales of ‘Vőlkischer Beobachter’ fell drastically between 1933 and 1939.

Do Old and Antique Newspapers Have Any Collectible Value?

It is not often I travel to Yahoo for answers to some of the more meaningful questions of life: Where did we come from? What is the purpose of Life? Do old newspapers have value? However, I recently came upon a post on Yahoo Voices which did a decent job of handling this last question. It begins:

You’ve Happened Upon a Stack of Old Newspapers…Some Have Historic Headlines! Are They Worth Anything?

Let face it, old newspapers don’t get much respect. In today’s world, they’re generally seen as material for the recycler. And years ago, many libraries simply tossed them out after converting them to micro or digital files. But do old or antique newspapers have any collectible value? The answer is a definite…maybe!

Newspapers have been around almost as long as the Gutenberg Press. And in general they’ve been seen as expendable–meant to be read a time or two and then thrown away, or used for fish wrap or some other convenient purpose. But newspapers also have tremendous historic value… (read more)

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The First Photograph With People

The first ever picture to have a human in it was Boulevard du Temple by Louis Daguerre, taken in 1838. The exposure lasted for about 10 minutes at the time, so it was barely possible for the camera to capture a person on the busy street, however it did capture a man who had his shoes polished for long enough to appear in the photo.

Boulevard du Temple is by Louis Daguerre

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How is the photography printing on newpaper is possible in the WW2 era? - History

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Both during and soon after World War 1, politicians and pundits began referring to the devastating conflict as "the war to end all wars."

One can hardly blame them for such a grandiose name. The West had never seen anything like World War 1 before. Between 1914 and 1918, approximately 17 million soldiers and civilians died while another 20 million lay seriously wounded.

Yet even this was not in fact "the war to end all wars." Just two decades later, most of the same countries waged war on much of the same ground. This time, however, the casualties were more than four times worse.

With combined civilian and military death toll estimates ranging as high as 85 million, World War 2 remains the single deadliest cataclysm in human history.

Between 1939 and 1945, the world endured not only its bloodiest and most far-reaching military campaigns, but also some of its deadliest famines, civilian exterminations, and epidemics. In Nazi concentration camps across Eastern Europe, those years saw the worst genocide ever on record.

Yet, today, the devastation of any one of these facets of World War 2 -- let alone all of them taken together -- is so vast that it becomes unfathomable.

As the famous quote widely misattributed to Soviet leader Joseph Stalin, one of World War 2's most important figures, goes: "One death is a tragedy a million is a statistic."

Perhaps, however, the best way to attempt to drag World War 2's 85 million deaths out of the realm of statistics and back into the realm of tragedy is not with words, but images.

From the battlefields to the faces of the civilians who never set foot on one but whose lives were shattered all the same, the World War 2 photos above bring history's greatest catastrophe to life.

Welcome to The Newspaper Archives of Stars And Stripes

The North Africa and Mediterranean editions (1942-1945) from World War II are now available!

This database contains over 1 million historical newspaper pages from Stars and Stripes, the independent daily newspaper of the U.S. military.

At present this archive includes newspapers published from 1948 through 1999 and editions published in the UK and the Mediterranean (including North Africa) during World War II. For current news and information, please visit

The full-page newspaper pages are rendered in both PDF and JPG format and are searchable by keyword and date, making it easy to explore this unique content. Because the publication history of Stars and Stripes spans several wars, its printing locations and the geographic regions covered changed with the movement of American troops. It was also published in multiple editions—as many as 35 during World War II. To gain a better understanding of this complexity, please see the Publication History section.

Stars and Stripes is likely the only independent news media in the world to operate from within a nation’s defense department. Although the organization is authorized by the U.S. Department of Defense, Stars and Stripes content and coverage is completely independent of outside control or interference. Its singular coverage of the U.S. military offers first-hand accounts of life in peace and during times of war from the service members’ point of view.

Use the archive to gain a new perspective on military conflicts and news, to research the military service of a friend or family member, or simply to read about a person or event that interests you.


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